Hero’s Journey for the new Green Lantern?

I’m going to weigh in on the argle-bargle surrounding the image of a new Green Lantern character DC is introducing.

The fans are screaming that based on the image this character is a street thug, a gangsta and what does a Green Lantern need a gun for anyways? Predictably, the big deal appears to be that he is black, has a tattoo (it’s glowing with green power, get a clue, that means something), is wielding a gun and wearing a stylized uniform based on what appears to be a ski mask, possibly a reference to his occupation of a bodega stick up artist.

Forgetting everything else for a moment (even that the new GL may wear a mask in his civilian life as a neighborhood vigilante good-guy) let’s understand that one of the under lying themes of being a Green Lantern is redemption. It was for Hal Jordan, Guy Gardner and is certainly an on-going process for John Stewart. All of these characters are on the hero’s journey paying for their past sins of arrogance.

It appears from the cover solicit the new Green Lantern, if not John Stewart himself undercover for something, may be on a similar path. Assuming the new guy is a predatory street thug it makes sense that he would have the basic requirement to be a space cop, the ability to overcome great fear.  He actually could be the perfect representative at this time for the GL Corps. Guy Gardner is the past was appreciated by both fans and the GL cast as a Corps member who got things done, regardless of the fall out. He has recently been the morals of the Corps and is probably the most honorable Lantern there is, doing what he feels is right even if the Guardians disagree.

Gardner continually defies the Guardians and is currently on a campaign to stop their shenanigans. So the Guardians may search for someone they think may be easier to point at things and zap stuff without questioning their directives. The new Lantern member, chosen for toughness, poor-impulse control and lack of morality for whatever purpose the Guardians need him for, this character could learn to be the hero the Corp needs to set them back on the path of Order (if not Good). The stylized mask and the gun would be the transitional props from his old life, surely to be discarded as he grows beyond his origins.

So relax. See what happens. Don’t jump to conclusions.

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Great Scott

The big news in comic books this week is that a character based on the Golden Age Green Lantern,  created by Bill Finger and Martin Nodell in the 1940s, is gay. Pundits and groups have decried the decision to reboot Alan Scott, the old man and spiritual father of the Justice Society as a young gay man as nothing more than a publicity stunt. Maybe it is.

But that’s okay, really. As long as a positive message of diversity, no matter the intent, is disseminated and represented as much as possible then that ultimately helps people and lets them know they are allowed to thrive.

Few comic book companies have avoided presenting gay characters in their books though often they were hesitant or clumsy in their presentation (though not so misguided as much as it was well-meaning as most of the depictions of African-Americans in the comics of the 60s and 70s). Among the current higher profile gay characters are of course Archie’s Kevin, Marvel’s Northstar, who has been out for years and DC’s Batwoman. The latter two being good examples of characters the respective companies have been mostly at a loss since their creation as to how to portray them.

A few groups had issue with the news of Northstar getting married to his long-suffering boyfriend and the re-introduction of Alan Scott as gay. They claimed an agenda on the part of the comic companies and the usual tired old argle-bargle of the negative influence of comics. They have been mostly dismissed and marginalized by those motivated to be vocal about the issue. I’m cynical enough to believe that the only agenda Archie, Marvel and DC have is to make money. It is from the increased national discourse on homosexuality and the demands for equal human rights that companies like DC can comfortably exploit (and I mean that in the best way) sensitive political and cultural issues. That their savvy marketing direction can also positively add to the discourse in however a small way is a benefit.

In the 1970s Marvel  successfully tapped into the sentiment of the young on many hot-button issues, a trend that benefited the bottom line well into the 1980s. From the 1960s through the 1970s DC was the company that had the most precedent, albeit steeped in subtext, in exploring gay issues though this was found mainly in the pages of the various romance titles amd one had to read between the lines and ignore the conclusions to most of the tales to see it. Marvel, however, reveled in being relevant and routinely tackled social issues such as class and race. This was all about what the audience would accept and want. The same company that railed against “The Man” in the 70s was fully behind the institution of authority a decade or so earlier even in the progressive and socially conscious 1960s, when mainstream comic companies adhered to the idea of Camelot and the Cold War.

Both Marvel and DC had comical, if not insulting, missteps along the way concerning homosexuality. Marvel infamously managed to draw a lot of criticism over the stereotypical depiction of sexual predators as being gay in an issue of The Rampaging Hulk magazine. DC most recently appeared to be at loss of what to do with Batwoman after the initial PR interest in her being a lesbian faded. The Golden Age Alan Scott had a son who was a gay superhero/villain but he was rarely utilized and often was often depicted as nothing more than a menacing shadow haunting the headquarters of the JSA. Take that how you will.

DC also missed an opportunity to introduce the first openly gay Green Lantern back in the 1990s. When Kyle Rayner (whom I always thought of as bi-sexual) was injured he sent his ring for safe-keeping back to Earth to his intern Terry, a gay man. My expectation was that Terry would spend the next several issues using the ring, going through a steep learning curve and maybe experiencing some interesting character growth. That didn’t happen. The next issue Kyle reclaimed his ring and continued his adventures as if nothing had happened and it seems DC either dropped the ball or felt they dodged a bullet.               

However progressive a comic book might be it isn’t going to change the world in and of itself. Alan Scott being gay and Northstar getting married won’t change anyone into a homosexual anymore than the Teen Titan Spotlight book featuring Starfire ended Apartheid. What it might do, hopefully will result in, someone feeling better about themselves in spite of what the cranks, superstitious, evil and simply backwards have to say to the contrary. Being gay is not different. Being gay is not evil. Being gay is not wrong. It just is.

Separated at Birth?

Interesting that in the absence of the classic Fourth World characters to yet be fully realized in the NewDCU that Professor Insidd, the sadistic Yellow Lantern has a look similar to the Jack Kirby design of Desaad. While the Prof and the Apokolptian interrogator have the same sadistic predilections and toothy grin it is Desaad’s hair and the skull designs on Insidd that are creepily similar.

Green Lantern movie review

Didn’t hate it. Which is probably the most I can hope for in a super-hero movie, that it isn’t too terrible.

Anyway, here’s a piece of art copyright Fred Hembeck featuring Nova kicking Hal’s butt, originally from RBCC #150 (1978).

Hmm. This art needs a script…

Panel 1: “Hey, Ring Slinger Lad! What’s this about you hitting on my girl Ginger? She’s only 16!”

Panel 2: “She looks 28!”

Panel 3: “Eat Nova-fist, jerk! Eat it through your heart!”

Panel 4: “Daddy!”

Yeah. That was more fun than the movie.